“Wielding the Maternal Body: Queen Anna of Denmark Performs Blackface Pregnancy,” Shakespeare Studies, 156–60. Forthcoming 2018.
“Performing Blackface Pregnancy at the Stuart Court: The Masque of Blackness and Love’s Mistress, or the Queen’s Masque,” Renaissance Drama 45, no. 2 (Fall 2017): 211-236.
“’You Demi-Puppets’: Playing for Humanity in The Feast: an intimate Tempest,” Puppetry International #33: When Actor Meets Puppet on Stage. (Spring and Summer 2013), 14-17.
“‘Cushion Come Forth’: Materializing Pregnancy on the Stuart Stage.” Stage Matters: Props, Bodies, and Space in Shakespearean Performance. Annalisa Castaldo and Rhonda Knight, eds. Madison, NJ: Fairleigh Dickinson University Press, 2018, 143-58.
“Game/Play: The Five Conceptual Planes of Punchdrunk’s Sleep No More.” Immersive Theatre: Engaging the Audience (vol. 1). Champaign, IL: Common Ground Publishing, 2017.
Shakespeare and the Materiality of Performance. Erika T. Lin. Theatre Survey 55.3, 2014, 402-04.
Shakespeare/Adaptation/Modern Drama: Essays in Honour of Jill Levenson. Eds. Randall Martin and Katherine Scheil. Theatre Research in Canada. 33.2., 2012, 262-65.