Performing Pregnancy on the Early Modern Stage, 1603-1642. Under contract with Routledge’s Studies and Performance in Early Modern Drama series.

Peer-Reviewed Publications

“Wielding the Maternal Body: Queen Anna of Denmark Performs Blackface Pregnancy,” Shakespeare Studies, 2018, 156–60

“Performing Blackface Pregnancy at the Stuart Court: The Masque of Blackness and Love’s Mistress, or the Queen’s Masque,” Renaissance Drama 45, no. 2 (Fall 2017): 211-236.

“’You Demi-Puppets’: Playing for Humanity in The Feast: an intimate Tempest,” Puppetry International #33: When Actor Meets Puppet on Stage. (Spring and Summer 2013), 14-17. Puppetry International Cover

Book Chapters

“‘Cushion Come Forth’: Materializing Pregnancy on the Stuart Stage.” Stage Matters: Props, Bodies, and Space in Shakespearean Performance. Annalisa Castaldo and Rhonda Knight, eds. Madison, NJ: Fairleigh Dickinson University Press, 2018, 143-58.

“Game/Play: The Five Conceptual Planes of Punchdrunk’s Sleep No More.” Immersive Theatre: Engaging the Audience (vol. 1). Champaign, IL: Common Ground Publishing, 2017.

Book Reviews

Childhood, Education and the Stage in Early Modern England. Richard Preiss and Deanne Williams. Queering Childhood in Early Modern English Drama and Culture. Jennifer Higginbotham and Mark Albert Johnston, eds. Theatre Survey 60.1, 2019.

Plotting Motherhood in Medieval, Early Modern, and Modern Literature. Mary Beth Rose. Chaste Value: Economic Crisis, Female Chastity and the Production of Social Difference on Shakespeare’s Stage. Katherine Gillen. Shakespeare Quarterly 69.3, Fall 2018.

Shakespeare and the Materiality of Performance. Erika T. Lin. Theatre Survey 55.3, 2014.

Shakespeare/Adaptation/Modern Drama: Essays in Honour of Jill Levenson. Eds. Randall Martin and Katherine Scheil. Theatre Research in Canada 33.2, 2012.

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